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Women In Photography International Archive
A bibliography of books about and by women photographers, created in 2000
by Peter E. Palmquist (1936-2003), the late founder and curator of the Women
In Photography Internatinal Archive now housed at the Beinecke Rare Book and
Manuscript Library at Yale University.
The publications in this collection have been gathered over a twenty-seven-year period. Every title listed has at least a perceived connection with one or more female photographers. Included are autobiographies, biographies, literary works, "how-to" and other technical writings, photojournalism, and fine art publications. A large number are monographs or exhibition catalogues. Some are scarce, and a considerable number of these publications have not been previously identified as works relative to women photographers. This is especially true of female travel writers who also produced the photographs which illustrate their books. All of the books on this list are shelved at the Women in Photography International Archive.
The books are organized alphabetically by photographer, and then chronologically by date of publication. Note that there are two broad divisions to this listing, as follows:
I. Publications centered on single photographers
Books A-C
Books D-J
Books K-P
Books V-ZII. "Collections" with multiple photographers
Citations should be considered tentative, inasmuch as this is not a critical bibliography and entries have not been edited to a uniform style. Diacritical elements are also not included. Annotations, such as page count, have been rounded off to the nearest signature size. The physical size of the book (vertical measurement), and location indicators are intended for collection management purposes only. In some instances articles have been included, either because they are especially significant or have already been bound as a book. Likewise, some books are actually bound research notes and exist only in this archive.
Eventually, it is hoped that this listing will be winnowed into a comprehensive bibliography of writings by and about women photographers, including books, articles, and other resources such as video tapes and websites.
Finally it should be clearly understood that this bibliography is merely a work in progress. The user should anticipate misspellings, typos, inconsistent and/or incomplete citations, and so on. It is also possible that a few male photographers have been listed in error.
The Women in Photography International Archive continues to be interested in acquiring or learning about other writings by and about women photographers on a global basis.
Peter Palmquist, August 2000The Peter E. Palmquist, Women in Photography International Archive is held at the Beinecke Rare Book and Manuscript Library at Yale University
KAIDA, TAMARRA [1946- ]
Tremors from the Faultline: Tamarra Kaida. Rochester, New York: Visual Studies Workshop, 1989. [First edition; autographed and dated by Tamarra Kaida; afterword by Susan E. Cohen; paperback, 58 pages, 20.5 cm., 10/30]
KALERGIS, MARY MOTLEY
Mother: A Collective Portrait by Mary Motley Kalergis. New York: E. P. Dutton, 1987. [First edition; autographed by the photographer; hardback, 134 pages, 22.5 cm., 13/50]
Home of the Brave: Contemporary American Immigrants. New York: E. P. Dutton, 1989. [First edition; autographed by Mary Kalergis; hardback, 162 pages, 35 cm., 13/50; oversize]
KANAGA, CONSUELO [1894-1978]
Margaretta K. Mitchell. Recollections: Ten Women of Photography. New York: Viking Press, 1979. [Includes Consuelo Kanaga; hardback, biographies, 28 cm., 10/50; filed under collections]
Consuelo Kanaga: An American Photographer. New York: The Brooklyn Museum and the University of Washington Press, 1992. [Exhibition catalogue; first edition; essays by Barbara Head Millstein and Sarah M. Lowe; afterword by Grace M. Mayer; paperback, 224 pages, chronology and index, 20.5 cm., 35/50]
Seeing Straight: The f.64 Revolution in Photography. Oakland, CA: The Oakland Museum, 1992. [Includes Consuelo Kanaga; exhibition catalogue; first edition; paperback, 158 pages,
biographies and index, 30 cm., 0/35; filed under collections]
KANDELL, ALICE S.
Alice Kandell. Sikkim: The Hidden Kingdom. Garden City, NY: Doubleday & Company, 1971. [First edition; hardback, 64 pages, 26.5 cm., 15/45]
KANEMOTO, LISA
Lisa Kanemoto. Dark Mirror. San Francisco: Custom & Limited Editions, 1997. [First edition; hardback, 104 pages, 31 cm., 35/50; oversize]
KANSTEIN, CYNTHIA BETH [1953- ]
Slices of Time: California Landscapes 1860-1880, 1960-1980. Oakland, CA: The Oakland Museum, 1981. [Includes Cynthia Beth Kanstein; exhibition catalogue; first edition; paperback, 56 pages, biography, 29.5 cm., 0/25; filed under collections]
KAR, IDA [1908-1974]
Val Williams. Ida Kar: Photographer 1908-1974. London: Virago Press, 1989. [First edition; paperback, 160 pages, 28 cm., 40/50]
KARANT, BARBARA [1952- ]
Sally Eauclaire. The New Color Photography. New York: Abbeville Press, 1981. [Includes Barbara Karant; first edition; paperback, 286 pages, chronology, 23 cm., 20/75; filed under collectios]
KASCO, DORRIS HARON [1966- ]
Dorris Haron Kasco. Les Fous d'Abidjan. Paris: Editions Revue Noire, 1994. [First edition; paperback, 96 pages, 19 cm., 15/40]
KASEBIER, GERTRUDE [1852-1934]
Anne Tucker. The Woman's Eye. New York: Alfred A. Knopf, 1973. [Includes Gertrude Kasebier; first edition; paperback, 170 pages, biography, 25 cm., 10/20; filed under collections]
Barbara L. Michaels. "Rediscovering Gertrude Kasebier," Image vol. 19, no. 2 (June l976), pp. 20-32.
William Innes Homer. A Pictorial Heritage: The Photographs of Gertrude Kasebier. Delaware Art Museum, 1979. [Exhibition catalogue; First edition; paperback, 64 pages, 7/40]
Barbara L. Michaels. Gertrude Kasebier: The Photographer and Her Photographs. New York; Abrams, 1992. [First edition; hardback, 192 pages, index, 30 cm., 45/60]
Peter E. Palmquist (compiler). Gertrude Stanton Kasbier: Miscellaneous Notes. [Xerox copies of research notes; hardback, 28 cm., 20/30]
KASTEN, BARBARA [1936- ]
Interchange. Los Angeles: Mount St. Mary's College, 1978. [Exhibition catalogue; includes Barbara Kasten; first edition; introduction by Melinda Wortz; paperback, 40 pages, biographies, 25 cm., 13/25]
Centric 2: Barbara Kasten: Installation/Photographs. Long Beach: California State University, Long Beach, 1982. [Exhibition catalogue; first edition; paperback, 16 pages, 22.5 cm., 13/25]
Louise Katzman. Photography in California 1945-1980. New York: Hudson Hills Press, in association with the San Francisco Museum of Modern Art, 1984. [Includes Barbara Kasten; exhibition catalogue; first edition; paperback, 206 pages, biography, index, 25.5 cm., 13/35; filed under California catalogues]
Barbara Kasten: Toward an Interconnectedness of all Things. Dayton, OH: University Art Galleries, Wright State University, 1985. [Exhibition catalogue; first edition; paperback, 12 pages, 20 cm., 5/25]
Constructs: Photographs by Barbara Kasten. Boston: New York Graphic Society, Little, Brown and Company, 1985. [First edition; essay by Estelle Jussim; hardback, 40 pages, 29 cm., 23/40]
KEARTON, CHERRY [1871-1940]
Gilbert White. The Natural History of Selborne. New York: Robert M. McBride & Company, 1925. [Includes photographs by Cherry Kearton; first edition; hardback, 248 pages, index, 26 cm., 12/65]
KEATON, DIANE [1946- ]
Reservations: Photographs by Diane Keaton. New York: Alfred A. Knopf, 1980. [First edition; paperback, 92 pages, 25.5 cm., 6/30]
KEEGAN, MARCIA [1938- ]
Marcia Keegan. Mother Earth/Father Sky: Navajo and Pueblo Indians of the Southwest. New York: Grossman, 1974. [First edition; hardback, 112 pages, 31 cm., 35/50; oversize]
Marcia Keegan. We Can Still Hear Them Clapping. New York: Avon Books, 1975. [First edition; autographed by the photographer; paperback, 144 pages, 28 cm., 10/50; second copy with lengthy inscription by the photographer and autographs by many of the famous vaudevillians who posed for the book, 20/200; archive box]
Marcia Keegan. Oklahoma. New York: Abbeville Press, 1979. [First edition; autographed by the photographer; paperback, 112 pages, 38 cm., 20/85; archive box]
Dianora Niccolini. Women of Vision: Photographic Statements by Twenty Women Photographers. Verona, New Jersey: Unicorn Publishing House, 1982. [Includes Marcia Keegan; first edition; paperback, 128 pages, biographies, 26 cm., 10/25; filed under collections]
New Mexico. Toronto, Canada: Skyline Press, 1984. [First edition; introduction by Howard Bryan; photographs by Marcia Keegan; hardback, 88 pages, 22 cm., 10/35]
KELLY, ANGELA [1950- ]
Three Perspectives on Photography: Recent British Photography. London: Hayward Gallery and the Arts Council of Great Britain, 1979. [Includes Angela Kelly; exhibition catalogue; paperback, 96 pages, biographies, 24 cm., 20/40; filed under collections]
KENT, KAREN
Pamela Thomas. Reflections of New York. New York: Smithmark, 1991. [First edition; photographs by Karen Kent; hardback, 176 pages, 27.5 cm., 10/35]
KHALSA, SANT (SHELIA ROTH) [1953- ]
Sant Khalsa: Of A Personal Nature. San Bernardino: Robert V. Fullerton Art Museum/California State University, San Bernardino, 1998. [Exhibition catalogue; paperback, 24 pages, chronology, 23 cm., 0/25]
KHORNAK, LUCILLE
Lucille Khornak. Fashion Photography: A Professional Approach. New York: Amphoto, 1989. [First edition; hardback, 144 pages, index, 29 cm., 13/30]
Lucille Khornak. The Nude in Black and White: Creative Approaches to Photographing the Nude. New York: Amphoto, 1993. [Paperback, 144 pages, index, 26.5 cm., 15/20]
KIENHOLZ, NANCY REDDIN
Edward and Nancy Kienholz. The Merry-G0-World Or Begat By Chance and The Wonder Horse Trigger. Venice, CA: L. A. Louver, 1992. [Exhibition catalogue; includes photographs by Nancy Kienholz; paperback, 68 pages, 30 cm., 4/35; oversize]
KING, HOLLY [1957- ]
Holly King: Realms of Night. Calgary and Lethbridge, Canada: Stride Gallery, Calgary and the Southern Alberta Art Gallery, Lethbridge, 1987. [Exhibition catalogue; first edition; paperback, 10 page, biography, 28 cm., 3/25]
KING-SMITH, LEAH [1957- ]
Patterns of Connection: An Exhibition of Photo-Compositions by Leah King-Smith. Sydney, Australia, and Daytona Beach, Florida: The Australian Centre for Photography, Sydney/ The Southeast Museum of Photography, Daytona Beach, 1992. [Exhibition catalogue, paperback, 24 pages, 21 cm., 6/15]
KLEBER, BIRGIT [1956- ]
Birgit Kleber: Kunstlerinnen-Portraits. Berlin: Verlag und Druckerei Ruksaldruck, 1989. [Exhibition catalogue; first edition; text in German; autographed by Birgit Kleber; paperback, 96 pages, 24.5 cm., 15/50]
KLEIN, ASTRID [1951- ]
"Blow-Up"/Zeitgeschichte. Stuttgart, Germany: Wurttenbergischer Kunstverein, 1987. [Includes Astrid Klein; exhibition catalogue; first edition, paperback, 120 pages, 28 cm., 20/50; filed under collections]
Shifting Focus: An International Exhibition of Contemporary Women's Photography. Bristol and London: Arnolfini Gallery, Bristol; Serpentine Gallery, London, 1989. [Includes Astrid Klein; exhibition catalogue; first edition; paperback, 52 pages, biography, 29 cm.; 15/35; filed under collections]
KLEMM, BARBARA [1939- ]
Barbara Klemm: Fotografien. Frankfort: Museum fur Moderne Kunst, 1991. [First edition; paperback, 90 pages, 24 cm., 35/50]
KLOSTER, DORIS
Doris Kloster: Photographs. Koln, Lisboa, London, New York, Osaka, Paris: Taschen, 1995. [First edition; text in German, English and French; hardback, 164 pages, 30 cm., 28/40]
Doris Kloster. Forms of Desire. [First edition; hardback, 112 pages, 31.5 cm., 40/45; oversize]
KLUTE, JEANETTE [1918- ]
Jeanette Klute. Woodland Portraits. Boston: Little, Brown, and Company, 1954. [First edition; hardback in box, 142 pages (2 extra illustrations laid-in), 43.5 cm., 35/300; archive box]
KNAPPE LIESELOTTE
Sigfried Knappe, with Ted Brusaw. Soldat: Reflections of a German Soldier, 1936-1949. New York: Dell Publishing, 1992. [Includes Lieselotte Knappe; paperback, 430 pages, index, 17.5 cm., 8/12]
KNEISEL, LESLIE
Tangle of Complexes: Photographing in Mexico. Birmingham, Alabama: Space One Eleven, 1996. [Includes Leslie Kneisel; exhibition catalogue; text in English and Spanish; first edition; paperback, 24 pages, 28 cm., 0.20]
KNOWLES, KATHERINE
Cape Cod Journey. Barre, MA: Barre Publishers, 1966. [First edition; photographs by Katherine Knowles; hardback, 96 pages, 25.5 cm., 8/25]
Boston: Portrait of a City. Barre, MA: Barre Publishers, 1964. [Second edition, 1968; text by Walter Muir Whitehill; photographs by Katherine Knowles; hardback, 112 pages, 21.5 cm., 4/20]
Along the Maine Coast. Barre, MA: Barre Publishers, 1967. [First edition; text by Thea Wheelwright; photographs by Katherine Knowles; hardback, 132 pages, 26.5 cm.; 13/35; oversize]
Nicholas Zook. Houses of New England Open to the Public. Barre, MA: Barre Publishers, 1968. [First edition; photographs by Katherine Knowles; hardback, 126 pages, index, 25 cm., 6/35]
Edmund T. Delaney. The Connecticut Shore. New York: Weathervane Books, 1969. [First edition; photographs by Knowles; hardback, 124 pages, 24.5 cm., 4/20]
Travels in New England. Barre, MA: Barre Publishers, 1972. [First edition; volume no. 1 of a projected 2-vol. series based on Timothy Dwight's Travels in New-England and New York; text by Thea Wheelwright and photographs by Katherine Knowles; hardback, 160 pages, index, 28 cm., 8/40]
KOCH, BETH
Beth Koch. The Educated Eye. Newport Beach, CA: The Educated Eye Press, 1985. [First edition; hardcover; 108 pages, 24.5 cm., 15/40]
KOEMPTGEN, CATHERINE
Catherine Koemptgen. Connections & Reflections: Mothers & Daughters in Their Own Light, in Their Own Words. Duluth, Minnesota: Pfeifer-Hamilton Publishers, 1998. [Hardback, 144 pages, 19 cm., 23/35]
KOLKO, BERNICE [1905-1970]
Fernando Camara Barbachano. Semblantes Mexicanos de Bernice Kolko. Cordoba, Mexico: Instituto Nacional de Antropologia e Historia, 1968. [First edition; hardback, 108 pages, 24.5 cm., 15/40]
KON, MICHIKO [1955- ]
Michiko Kon: Kon Box. Tucson, AZ: Nazraeli Press and Photo Gallery International, 1996. [#713 of a limited edition; 40 photographs, plus text in Japanese and English; housed in a plastic box, 16.5 cm. square, 60/85; archive box]
Michiko Kon: Still Lifes. New York: Aperture, 1997. [First edition; narrative by Ryu Murakami and essay by Toshiharu Ito; hardback, 125 pages, 34.5 cm.; oversize]
KOOLISH, LYNDA
Journeys on the Living: Poems, Photographs and Drawings by Lynda Koolish. Berkeley: published by the author, 1973. [First edition; paperback, 68 pages, 21 cm., 2/20]
KOONS, NELL (cf. NELL DORR)
KOPP, BEA [1917- ]
Bea Kopp. Eye Level. Virginia Beach/Norfolk, Virginia: The Donning Company, 1980. [First edition; autographed by the photographer; hardback, 208 pages, 21.5 cm., 5/85]
KOTTINEN, SIRKKA-LIISA
Sirkka-Liisa Kottinen. Step by Step. Newcastle Upon Tyne: Bloodaxe Books/ Amberside, 1989.[Paperback, 128 pages, 21 cm., 8/25]
KOVACS, ANDREA
Michael Lesy. Visible Light: Four Creative Biographies. New York: Times Books, 1985. [Includes Andrea Kovacs; first edition; paperback, 162 pages, 20 cm., 7/30]
KRIEG, CAROLYN [1953- ]
Carolyn Krieg: A Photographic Survey. Helena, MT: Holter Museum of Art, 1996. [Exhibition catalogue; paperback, 16 pages, 20 cm., 0/20]
KREMENTZ, JILL [1940- ]
Jill Krementz. A Very Young Rider. New York: Alfred A. Knopf, 1977. [Second printing; hardback, 128 pages, 30.5 cm., 1/5; defaced; oversize]
Jill Krementz. A Very Young Gymnast. New York: Alfred A. Knopf, 1978. [First edition; hardback, 128 pages, 30.5 cm., 5/20; oversize]
Jill Krementz. A Very Young Skater. New York: Alfred A. Knopf, 1979. [First edition; hardback, 128 pages, 30.5 cm., 4/15; oversize]
Jill Krementz. A Very Young Dancer. New York: Alfred A. Knopf, 1979. [11th printing; hardback, 128 pages, 30.5 cm., 8/15; oversize]
Del Tremens [Amy MacDonald and Michael Carroll]. A Very Young Housewife. The Common, Harvard, MA: A Bogus Book, 1979. [Clearly a spoof on Jill Krementz's series; First edition; paperback, 78 pages, 28 cm., 4/20]
Jill Krementz. How It Feels to Fight for Your Life. Boston, Toronto, London: Little, Brown and Company, 1989. [First edition; autographed and dated by Krementz; hardback, 132 pages, 23.5 cm.; 16/45]
Jill Krementz. A Very Young Actress. New York: Alfred A. Knopf, l99l. [First edition; hardback, 60 pages, 28.5 cm., 2/20; oversize]
Jill Krementz. How it Feels to Live with a Physical Disability. New York, et al: Simon & Schuster, 1992. [Hardback, 176 pages, 23.5 cm., 0/15]
KRUGER, BARBARA [1945- ]
Barbara Kruger. Remote Control: Power, Cultures, and the World of Appearances. Cambridge and London: MIT Press, 1973. [First edition; hardback, 252 pages, index, 23 cm., 20/40]
Paula Marincola. Image Scavengers: Photography/Ellen Brooks/ Eileen Cowin/Jimmy De Sana/Barbara Kruger/Sherrie Levine/ Richard Prince/Don Rodan/Cindy Sherman/Laurie Simmons. Philadelphia: Institute of Contemporary Art/University of Pennsylvania, 1982. [Exhibition catalogue; first edition paperback, 40 pages, 28 cm., 10/25; filed under collections]
Kathleen McCarthy Gauss. New American Photography. Los Angeles: Los Angeles County Museum of Art, 1985. [Includes Barbara Kruger; exhibition catalogue; first edition; hardback, 128 pages, biography and checklist, 23 cm., 35/65; filed under collections]
"Blow-Up"/Zeitgeschichte. Stuttgart, Germany: Wurttenbergischer Kunstverein, 1987. [Includes Barbara Kruger; exhibition catalogue; first edition; paperback, 120 pages, 28 cm., 20/50; filed under collections]
Recent Tendencies in Black and White. New York: Sidney Janis Gallery, 1987. [Includes Barbara Kruger; exhibition catalogue; paperback, 24 pages, 28 cm., 8/20; filed under Sarah Charlesworth]
Barbara Kruger and Stephen King. My Pretty Pony. New York: Alfred A. Knopf in association with the Whitney Museum of American Art, 1989. [Previous published "in 1988 as a deluxe, limited edition in the Artists and Writers Series of fine books published by the Whitney Museum of American Art, New York"; hardback/slipped-cased; 64 pages, 34.5 cm., 50/75; oversize]
Barbara Kruger. Love for Sale: The Words and Pictures of Barbara Kruger. New York: Harry N. Abrams, 1990. [First edition; text by Kate Linker; hardback, 96 pages, 32 cm., 25/45; oversize]
Laughter Ten Years After. Geneva, New York: Hobart and William Smith Colleges Press, 1995. [Exhibition catalogue; includes Barbara Kruger; first edition; paperback, 64 pages, 21.5 cm., 19/35; filed under collections]
KRULL, GERMAINE [1897-1985]
La Route Paris-Biarritz. Paris: Editions Jacques Haumont, 1931. [First edition; text by Claude Farrere; photographs by Germaine Krull; paperback, 96 pages, 22 cm., 90/125; archive box]
Germaine Krull. Tibetans in India. New Delhi: Allied Publishers, 1968. [First edition; hardback, 68 pages, 26 cm., 25/85]
Germaine Krull: Fotografien 1922-1966. Koln: Rheinland-Verlag; Bonn: Kommission bei Rudolf Habelt Verlag, 1977. [Exhibition catalogue; first edition; text in German; paperback, 192 pages, 20 cm., 40/65]
Kim Sichel. Germaine Krull: Photographer of Modernity. Cambridge and London: MIT Press, 1999. [First edition; hardback, 364 pages, 31.5 cm., 75/85; oversize]
KRUMSCHEID, KERSTIN [1962- ]
Hauptsache: Kerstin Krumscheid Fotos. Stuttgart: Staatliche Akademie der Blidenden Kunste, 1988. [First edition; text in German; paperback, 84 pages, 30 cm., 15/65]
KULIK, ZOFIA [1947- ]
Zofia Kulik. The Human Motif. Newcastle Upon Tyne, England: Zone Gallery, 1995. [Exhibition catalogue; paperback, 28 pages, 28 cm., 10/25]
KUKLIN, SUSAN
Susan Kuklin. Taking My Cat to the Vet. New York: Bradbury Press, 1988. [First edition; hardback, 32 pages, 21 cm., 4/20]
KURTZWEIL, TOVE [1938- ]
Tove Kurtzweil Photographs: Space & Time. Denmark: Lundtofte Publishing/ The Museum of Photographic Arts, 1988. [First edition; text in Danish and English; paperback, 36 pages, 20 cm., 15/40]
Tove Kurtzweil -- Retrospektivt. Denmark: Lundtofte Publishing, 1988. [First edition; text in Danish; hardback, 88 pages, chronology, 20 cm., 28/50]
KYTLE, ELIZABETH LARISEY
Elizabeth Kytle. Four Cats Make One Pride. Cabin John, Maryland: Seven Locks Press, 1978. [First edition; autographed by the author/photographer; hardback, 106 pages, 28 cm., 10/30]
LADD, ELLEN ELIZABETH (CASEY) [1861-1922]
Peter E. Palmquist. Nellie Ladd: Photographs of Old Denny, California 1895-1920. Arcata, CA: Women in Photography International Archive, 1999. [First edition; paperback, 52 pages, 19 cm., 10/10]
Peter E. Palmquist. Nellie Ladd (1861-1922): Photographer of Old Denny, California. [Compilation of research notes, 1999; hardbound; 28.5 cm., 30/50]
LAFONT, SUZANNE
Suzanne Lafont. Paris: Editions du Jeu de Paume, 1992. [Exhibition catalogue; text in French and English; paperback, 80 pages, biography, 27 cm., 10/25]
LAKE, SUZY [1947- ]
Martha Hanna. Suzy Lake: Point of Reference. Ottawa, Canada: The Canadian Museum of Contemporary Photography, 1993. [Exhibition catalogue; first edition; paperback, 48 pages, biography and bibliography, 28 cm., 25/35]
LAKEMAN, SANDRA DAVIS
Sandra Davis Lakeman. Natural Light and the Italian Piazza. San Luis Obispo, CA: Natural Light Books, 1992. [Second edition; paperback, 112 pages, 20 cm., 0/30]
LANCE, MARY
Diego Rivera: I Paint What I See. Corrales, NM: New Deal Films, Inc., 1989. [Documentary film on tape; 58 minutes VHS; directed by Mary Lance and produced by Mary Lance and Eric Breitbart, 0/15]
LAND-WEBER, ELLEN [1943- ]
Ellen Land-Weber. The Passionate Collector. New York: Simon & Schuster, 1980. [First edition; introduction by Walter Benjamin; autographed by Land-Weber; paperback, 128 pages, 21.5 cm., 0/40]
LANGE, DOROTHEA [1895-1965]
Pare Lorentz. "Dorothea Lange: Camera With A Purpose," U. S. Camera Annual (1941), pp. 93-116+ [Article; hardbound, 28 cm., 0/30; oversize]
Dorothea Lange. New York: Museum of Modern Art, Los Angeles County Museum of Art, the Oakland Museum and the Worcester Art Museum, 1966. [First edition; introduction by George P. Elliot; hardback, 112 pages, bibliography, 22 cm., 35/50]
Dorothea Lange Looks at the American Country Woman. Fort Worth, TX: Amon Carter Museum and the Ward Richie Press, Los Angeles, 1967. [Third printing (1973); comment by Beaumont Newhall; paperback, 72 pages, 25 cm., 5/20; oversize]
Just Before the War: Urban America from 1935 to 1941 as Seen by Photographers of the Farm Security Administraton. New York: October House, Inc., 1968 [Includes Dorothea Lange; exhibition catalogue; first edition; introduction by Thomas H. Garver; paperback, 76 pages, 21.5 cm., 10/25; filed under collections]
Suzanne Riess. Dorothea Lange - The Making of a Documentary Photographer. Berkeley: Regional Oral History Office, University of California, 1968. [Includes two tipped-in photographs of Lange; hardback, 250 pages, 28 cm., 85/150]
Maisie and Richard Conrat. Executive Order 9066: The Internment of 110,000 Japanese Americans. San Francisco: California Historical Society, 1972. [Exhibition catalogue; special publication #51; first edition; introduction by Edison Eno and epilogue by Tom C. Clark; photographs by Dorothea Lange and others; paperpack, 120 pages, 21 cm., 5/20]
Dorothea Lange and Margaretta K. Mitchell. To A Cabin. New York: Grossman Publishers, 1973. [First edition; hardback, 140 pages, 25.5 cm., 11/40]
Anne Tucker. The Woman's Eye. New York: Alfred A. Knopf, 1973. [Includes Dorothea Lange; first edition; paperback, 170 pages, biography, 25 cm., 10/20; filed under collections]
Theresa Thau Heyman. Celebrating a Collection: The Work of Dorothea Lange. Oakland: The Oakland Museum, 1978. [Exhibition catalogue; first edition; paperback, 98 pages, collection guide and bibliography, 21.5 cm., 10/35]
Theresa Thau Heyman. Celebrating a Collection: The Work of Dorothea Lange. Oakland: The Oakland Museum and the California History Center, DeAnza College, 1978. [Local History Studies #25; paperback, 98 pages, collection guide and bibliography, 21.5 cm., 10/35]
Milton Meltzer. Dorothea Lange: A Photographer's Life. New York: Farrer/Straus/Giroux, 1978. [Second printing; paperback, 400 pages, index, 23 cm., 15/20]
Karin Becker Ohrn. Dorothea Lange and the Documentary Tradition. Baton Rouge and London: Louisiana State University Press, 1980. [First edition; hardback, 278 pages, bibliography and index, 23 cm., 20/35]
Penelope Dixon. Photographers of the Farm Security Administration: An Annotated Bibliography 1930-1980. New York and London: Garland Publishing Company, 1983. [First edition; includes Dorothea Lange; hardback, 266 pages, index, 21.5 cm., 40/50; filed under collections]
Dorothea Lange. New York: Aperture Foundation, 1987. [Aperture Masters of Photography #5; essay by Christopher Cox; paperback, 96 pages, 20 cm., 5/20]
Dorothea Lange: Eloquent Witness. Chicago: Edwynn Houck Gallery, 1989. [Exhibition catalogue; first edition limited to 1000 copies; paperback, 64 pages, 30.5 cm., 35/50; oversize]
Dorothea Lange: Archive of an Artist. Oakland, California: Oakland Museum, 1995. [Exhibition catalogue; first edition; introduction by Therese Thau Heyman; essay by Karen Tsujimoto; paperback, 70 pages, collection guide and bibliography, 24 cm., 20/35]
Women Come to the Front: Journalists, Photographers, and Broadcasters During World War II. Washington, D.C.: Library of Congress, 1995. [Includes Dorothea Lange; exhibition catalogue; first edition; paperback, 24 pages, biography and checklist, 21.5 cm., 0/15; filed under collections]
Photographing the Second Gold Rush: Dorothea Lange and the Bay Area at War, 1941-1945. Berkeley, California: Heyday Books, 1995. [First edition; introduction by Charles Wollenberg; paperback, 86 pages, 21 cm., 9/20]
Elizabeth Partridge. Restless Spirit: The Life and Work of Dorothea Lange. New York: Viking, 1998. [Hardback, 122 pages, index, 26 cm., 12/20]
Peter E. Palmquist, compiler. Dorothea Lange: Miscellaneous Notes to 1999. [Hardbound; 28 pages, 35/50]
LANGLEY, ERIKA
Erika Langley. The Lusty Lady: Photographs and Texts. Zurich, Berlin, New York: Scalo, 1997. [First edition; paperback, 256 pages, 22.5 cm., 35/40]
LANGSTON, SHELLEY
Hubert I. Bermont. All God's Children. New York: Stein & Day, 1968. [First edition; photographs by Shelly Langston; hardback, 96 pages, 28 cm., 10/65]
Hubert I. Bermont and Shelly Langston. The Child. New York: Essandess Special Editions, 1968. [Second printing; photographs by Shelly Langston; paperback, 80 pages, 22.5 cm., 1/20]
Hubert I. Bermont and Shelly Langston. The Mother. New York: Essandess Special Editions, 1968. [First edition; photographs by Shelly Langston; paperback, 80 pages, 22.5 cm., 1/35]
LANSDALE, MARGARET McGIBBON (ADIE) [1928- ]
Margaret Lansdale. A Funny Thing Happened on the Way to the Darkroom!: Photographer's True Stories and Anecdotes. Toronto, Ontario, Canada: published by the author, 1997. [First edition; hardback, 188 pages, 21.5 cm., 45/65]
LARIMER, SARAH LUSE
Clark and Mary Lee Spence, (eds.). Fanny Kelly. Narrative of My Captivity Among the Sioux Indians. Stamford, CT: Longmead ow Press, 1994. [Hardback, 274 pages, index, 23.5 cm., 12/20]
LARRABEE, CONSTANCE STUART [1914-2000]
Constance Stuart Larrabee with Alan Paton. Go Well, My Child. Washington, D.C.: National Museum of African Art, Smithsonian Institution Press, 1985. [Exhibition catalogue; first edition; photographs by Stuart; paperback, 48 pages, 25.5 cm., 0/20]
Constance Stuart Larrabee. Constance Stuart Larrabee: WWII Photojournal. Washington, D.C.: The National Museum of Women in the Arts, 1989. [Exhibition catalogue; first edition; paperback, 48 pages, chronology, 28 cm., 0/25]
LARSEN, SALLY [1954- ]
Japlish: Photographs by Sally Larsen. San Francisco: Pomegranate Artbooks, 1993. [First edition; introduction by Neeli Cherkovski; hardback, 82 pages, 28 cm., 20/35]
LAU, GRACE PEI-YIN [1939- ]
Grace Lau: A Retrospective/Adults in Wonderland. London: Serpent's Tail, 1997. [Introduction by Amanda Hopkinson; paperback, 120 pages, 21 cm., 8/20]
LAUFER, SUSAN B.
The Occurrence of Tune. New York: Segue Books, 1981. [First edition; text by Charles Berstein and photos by Susan B. Laufer; paperback, 24 pages, 21.5 cm., 2/25]
LAUREN, JOAN
Joan Lauren. With Love/ Portraits of Life: An Intimate Collection of Exclusive Photographs of Celebrities With Their Personal Reflections On Life and Love. Los Angeles: General Publishing Group, Inc., 1994. [First edition; foreword by Elizabeth Glasser; hardback, 264 pages, 25.5 cm., 18/30; oversize]
LAUREN, RICKY
Ricky Lauren. My Island. n.p.: published by the author?, 1994. [First edition; autographed by the photographer; hardback, 132 pages, 33 cm., 95/150; archive box]
LAVENSON, ALMA [1897-1989]
Patricia Gleason Fuller. Alma Lavenson. Riverside, CA: California Museum of Photography, 1979. [First edition; paperback, 56 pages, checklist and bibliography, 25.5 cm., 15/35]
Ehrens, Susan. Alma Lavenson Photographs. Berkeley, CA: Wildwood Arts, 1990. [Exhibition catalogue; first edition; hardback, 108 pages, chronology, exhibition chronology and bibliography, 30 cm., 45/65]
Seeing Straight: The f.64 Revolution in Photography. Oakland, CA: The Oakland Museum, 1992. [Includes Alma Lavenson; exhibition catalogue; first edition; paperback, 158 pages, biographies and index, 30 cm., 0/35; filed under collections]
LAW, LISA
Lisa Law. Flashing on the Sixties: Photographs by Lisa Law. San Francisco: Chronicle Books, 1987. [Paperback, 144 pages, 24 cm., 15/30]
LAWRENCE, ELEANOR
Eleanor Lawrence. By The Way. Berkeley: Eleanor Lawrence, 1982. [First edition; paperback, 62 pages, 22.5 cm., 8/20]
LE BLOND, (MRS.) ELIZABETH ALICE FRANCES (1861-1934)
Mrs. Aubrey Le Blond. True Tales of Mountain Adventure for Non-Climbers Young and Old. New York: E.P. Dutton, 1903. [First American edition; most photographs by the author; hardback, 300 pages, index, 22.5 cm., 40/75]
LEE, BETTY [1949- ]
Personal Document/Cultural Identity: Essays in Photography. Chico, CA: University Art Gallery, California State University, Chico, 1989. [Includes Betty Lee; exhibition catalogue; first edition; paperback, 20 pages, biography, 20 cm., 0/25; filed under California catalogues]
LEE, JEANNE
Weston and Jeanne Lee. Torrent in the Desert. Flagstaff, AZ: Northland Press, 1962. [First edition; autographed by Weston C. Lee; hardback, 222 pages, 28.5 cm., 15/65]
LEEN, NINA [1909-1995]
Lucky: The Famous Foundling. New York: A. A. Wyn, Inc., 1951. [First edition; text by Ray Mackland and photos by Nina Leen; hardback, 96 pages, 27.5 cm., 1/25]
Nina Leen. Women, Heroes, and a Frog. New York: W.W. Norton & Company, Inc., 1970. [paperback, 120 pages, 20 cm., 5/20]
Nina Leen. And Then There Were None: America's Vanishing Wildlife. New York, Chicago, San Francisco: Holt, Rinehart and Winston, 1973. [First edition; commentary by Joseph A. Davis; hardback, 128 pages, 23.5 cm., 4/35]
Nina Leen. Love, Sunrise, and Elevated Apes. New York: W. W. Norton & Company, Inc., 1974. [First edition; paperback, 130 pages, 20 cm., 2/25]
Nina Leen. Images of Sound. New York: W. W. Norton & Company, Inc., 1977. [First edition; paperback, 80 pages, 22.5 cm., 4/25]
Nina Leen. Taking Pictures. New York: Holt, Rinehart and Winston, 1977. [First edition; hardback, 48 pages, 23 cm., 3/25]
Nina Leen. What Kind of Dog is That?. New York: W. W. Norton, 1979. [First edition; paperback, 76 pages, 22.5 cm., 3/25]
LEESON, PAT
Susan and Ann Zwinger. Women in Wilderness: Writings and Photographs. San Diego, New York, London: Harcourt Brace & Company, 1995. [Includes Pat Leeson; paperback, 100 pages, 24.5 cm., 15/25; filed under collections]
LEIBOVITZ, ANNIE [1949- ]
Annie Leibovitz Photographs. New York: Pantheon/ Rolling Stone Press, 1983. [paperback, 140 pages, 30 cm., 20/35]
Annie Leibovitz: Photographs 1970-1990. New York: Harper Collins, 1991. [First edition; hardback, 232 pages, 33 cm., 65/100; oversize]
Dancers: Photographs by Annie Leibovitz. Washington and London: Smithsonian Institution Press, 1992. [Photographers at work series; First edition; paperback, 56 pages, 21 cm., 15/20]
Annie Leibovitz. Olympic Portraits. Boston, New York, Toronto, London: Little, Brown & Company, 1996. [First edition; hardback, 192 pages, 28 cm., 5/25]
LEMIEUX, ANNETTE [1949- ]
Annette Lemieux: The Appearance of Sound. Sarasota, FL: The John and Mable Ringling Museum of Art, 1989. [Projects #3; first edition; paperback, 16 pages, biography and bibliography, 29.5 cm., 5/20]
LENDVAI-DIRCKSEN, ERNA [1883-1962]
Erna Lendvai-Dircksen. Flandern: Das Germanische Volksgesicht. Bayreuth: Gauverlag Bayreuth, 1942. [2 copies; first edition; text in German; hardback, 80 pages, 26.5 cm.; 1) 65/125, archive box; and 2) 5/85]
Erna Lendvai-Dircksen. Das Gesicht des Deutschen Ostens. Berlin: Zeitgeschichte, Verlag und Veertriebs-Gesellschaft, [c.1943]. [First edition; text in German; hardback, 160 pages, 25 cm., 100/150]
LENNARD, ELIZABETH [1953- ]
Traversees: Elizabeth Lennard/Anne Garde/Cecile Talec. Paris: Mai de la Photo/Centre Georges Pompidou, 1988. [Exhibition catalogue; text in French; first edition; paperback, 16 pages, 24 cm., 3/25; filed with collections]
LENNARD, ERICA [1950- ]
Erica Lennard: Women, Sisters. Indianapolis and New York: The Bobbs-Merrill Company, Inc., 1978. [First edition; text by Elizabeth Lennard and afterword by Marguerite Duras; paperback, 72 pages, 21.5 cm., 15/40]
LEONARD, JOANNE [1940- ]
Woman by Three: Joanne Leonard/Michael E. Bry/Barbara Cannon Myers. Menlo Park, CA: Pacific Coast Publishers, 1969. [First edition; hardback, 98 pages, 35/50; filed under collections]
Photo/Trans/Forms. San Francisco: San Francisco Museum of Modern Art, 1981. [Exhibition catalogue; includes Joanne Leonard; first edition; paperback, 16 pages, chronology, 21 cm., 20/30; filed under Judith Golden]
Joanne Leonard. "Not Losing Her Memory: Stories in Photographs, Words and Collage," MFS, vol. 40, no. 3 (Fall 1994), pp. 657-685. [Offprint of Leonard's article together with xerox of editor's statement; 0/10; archive box]
LEONARD, ZOE [1961- ]
Zoe Leonard and Cheryl Dunye. The Fae Richards Photo Archive. San Francisco: Artspace books, 1996. [First edition; hardback, 72 pages, 21 cm., 15/25; filed under Cheryl Dunye]
LE PLONGEON, ALICE DIXON [1851-1910]
Alice Dixon Le Plongeon. Here and There in Yucatan. New York: J. W. Bouton, 1887. [First edition; hardback, 146 pages, 19.5 cm., 100/135; archive box]
Lawrence Gustave Desmond and Phyllis Mauch Messenger. A Dream of Maya: Augustus and Alice Le Plongeon in Nineteenth-Century Yucatan. Albuquerque: University of New Mexico Press, 1988. [First edition; foreword by Jaime Litvak King; paperback, 148 pages, 25 cm., 15/30]
LE PRAT, THERESE [1895-1966]
Therese Le Prat. Masques et Destins. Paris: Olivier Perrin and Therese Le Prat, 1955. [First edition; edited by Olivier Perrin; text in French and English; hardback, 116 pages, 37 cm., 200/200; archive box]
Therese Le Prat. Faces and Destinies. West Germany: Overseas Publishers Vaduz, 1963. [Reprint of 1955 edition; text in English and French; hardback, 106 pages, 36.5 cm., 45/125; oversize]
LESUR, ROSALYNDE
Jaydie Putterman and Rosalynde Lesur. Police. New York: Holt, Rinehart and Winston, 1983. [First edition; photographs by both authors; paperback, 192 pages, 28 cm., 6/30]
LEVICK, MELBA
The Big Picture: Murals of Los Angeles. Boston: Little, Brown and Company, 1988. [Photographs by Melba Levick and commentary by Stanley Young; paperback, 128 pages, 29 cm., 11/20; oversize]
The Missions of California. San Francisco: Chronicle Books, 1988. [Photographs by Melba Levick and commentary by Stanley Young; paperback, 136 pages; 21.5 cm., 10/15]
LEVINE, SHERRIE [1947- ]
Paula Marincola. Image Scavengers: Photographs/Ellen Brooks/ Eileen Cowin/Jimmy De Sana/Barbara Kruger/Sherrie Levine/ Richard Prince/Don Rodan/Cindy Sherman/Laurie Simmons. Philadelphia: Institute of Contemporary Art/University of Pennsylvania, 1982. [Exhibition catalogue; first edition; paperback, 40 pages, 28 cm., 10/25; filed under collections]
LEVINE, SUZANNE C.
Adaptive Parenting Equipment: Idea Book I. Berkeley: Through the Looking Glass, 1995. [Includes photographs by Suzanne C. Levine; paperback, 56 pages, 28 cm., 0/15]
Volver a Vivir/Return to Life. Berkeley, CA: Chardon Press, 1996. [First edition; photographs by Suzanne C. Levine; paperback, 56 pages, 16 cm., 20/25]
Suzanne C. Levine and Patricia Chadwick. Disabled Women's Rights=Women's Rights=Human Rights. San Francisco: Wide Vision Productions, 1996. [Videotape and booklet; 12 minutes 40 seconds, O/15]
LEVITT, HELEN [1913- ]
A Way of Seeing: Photographs of New York by Helen Levitt. New York: The Viking Press, 1965. [First edition; essay by James Agee; hardback, 78 pages, 19.5 cm., 3/65; second copy in paperback, 120/120; archive box]
"A Way of Seeing," Horizon, vol. 7, no. 3 (Summer 1965), pp. 49-59. [Essay by James Agee; photographs by Helen Levitt; 30 cm., 3/15]
Helen Levitt. Washington, DC: The Corcoran Gallery of Art, 1980. [Exhibition catalogue; first edition; paperback in 1500 copies, 16 pages, chronology and bibliography, 20.5 cm., 5/25]
Sally Eauclaire. The New Color Photography. New York: Abbeville Press, 1981. [Includes Helen Levitt; first edition; paperback, 286 pages, chronology, 23 cm., 20/75; filed under collections]
Helen Levitt. Syracuse, NY: Robert B. Menschel Photography Gallery, Syracuse University, 1986. [Menschel Catalogue #1; first edition, 8 pages, 20.5 cm., 0/15; filed with the Menschel catalogues]
Carole Naggar and Fred Ritchin, (eds.). Mexico Through Foreign Eyes 1850-1990. New York and London: W. W. Norton & Company, 1996. [Includes Helen Levitt; exhibition catalogue; paperback, 320 pages, biographies, 30.5 cm., 35/40; filed under collections]
LEWANDOWSKA, MARYSIA
Marysia Lewandowska and Neil Cummings. Lost Property. London: Chance Books in association with Public Art Development Trust, 1996. [First edition; paperback, 148 pages, 16.5 cm., 33/40]
LEWIN, ELYSE
Allyn Salomon. Child Photography. New York: Amphoto, 1981. [First edition; photographs by Elyse Lewin; hardback, 160 pages, index, 28 cm., 12/25]
LIDZ, JANE PINCUS
Jane Lidz. Rolling Homes: Handmade Houses on Wheels. New York: A. & W. Visual Library, 1979. [First edition; paperback, 96 pages, 25 cm., 6/20]
LIE, HENNY [1945- ]
Se Dig Om i Gladje: Sex Fotografer-Sex Temperament. Stockholm: Fotografiska Museet, 1981. [Exhibition catalogue; text in Swedish; photographs by Henny Lie and others; first edition; paperback, 80 pages, 30 cm., 10/65; filed under collections]
LIFFRING-ZUG, JOAN [1929- ]
Women 1957-1975: Photographs by Joan Liffring-Zug. Iowa City, IA: Penfield Press, 1981. [First edition; autographed by Liffring-Zug; paperback, 70 pages, 28 cm., 7/40]
Men 1950-1985: Photographs by Joan Liffring-Zug. Iowa City, IA: Penfield Press, 1986. [First edition; paperback, 70 pages, 28 cm., 4/35]
LIGHT, MARY
Richard Upjohn Light. Focus on Africa. New York: American Geographical Society, 1944. [American Geographical Society Special Publication No. 25; photographs by Mary Light; first edition; hardback, 228 pages, index, 20/75]
LINN, BETH
The Niche Series: Photographs by Beth Linn. Rochester, New York: Visual Studies Workshop Press, 1990. [First edition; foreword by Carol Jacobsen; paperback limited to 450 copies, 48 pages, 19 cm., 10/20]
LINN, NANCY
Nancy Linn. Madonna + Child. New York: A. White Publishing Company, 1984. [First edition; paperback, 60 pages, 17.5 cm., 5/40]
LIPMAN, EVA [1946- ]
Restraint & Surrender: Photographs by Ken Graves and Eva Lipman. Allentown, Pennsylvania: Allentown Art Museum, 1995. [Exhibition catalogue; essay by Sarah Anne McNear; paperback, 20 pages, 28 cm., 0/30; oversize]
LITTLE, LISA
Penelope Naylor. Black Images: The Art of Africa. Garden City, New York: Doubleday & Company, 1973. [First edition; photographs by Lisa Little; hardback, 96 pages, 28.5 cm., 5/30]
LOGAN, FERN [1945- ]
Deborah Willis. Imagining Families: Images and Voices. Washington, D.C.: Smithsonian Institutions, 1994. [Includes Fern Logan; exhibition catalogue; first edition; paperback, 72 pages, 21.5 cm., 10/25; filed under collections]
LOLLOBRIGIDA, GINA [1928- ]
Italia Mia: Photographs by Gina Lollobrigida. Geneva: Sedifo, [1970s?]. [First edition; foreword by Alberto Moravia; autographed by Lollobrigida; hardback, 168 pages, 26 cm.; 5/40]
Gina Lollobrigida. The Wonder of Innocence. New York: Harry N. Abrams, 1994. [Foreword by Mother Teresa; hardback, 192 pages, index, 31 cm., 15/25; oversize]
LOMAX, YVE [1952- ]
Three Perspectives on Photography: Recent British Photography. London: Hayward Gallery and the Arts Council of Great Britain, 1979. [Includes Yve Lomax; exhibition catalogue; paperback, 96 pages, biographies, 24 cm., 20/40; filed under collections]
Shifting Focus: An International Exhibition of Contemporary Women's Photography. Bristol and London: Arnolfini Gallery, Bristol; Serpentine Gallery, London, 1989. [Includes Yve Lomax; exhibition catalogue; first edition; paperback, 52 pages, biography, 29 cm.; 15/35; filed under collections]
LONDON, BARBARA [1936- ]
Barbara London. A Short Course in Photography: A Guide to Great Pictures. Marblehead, MA: Curtin & London, Inc., 1979. [Hardback, 136 pages, 25 cm., 6/20]
Barbara London. A Short Course in Canon Photography: A Guide to Great Pictures. Somerville, MA: Curtin & London, Inc., and New York, Cincinnati, Toronoto and Melbourne: Van Nostrand Reinhold Company, 1979. [paperback, 136 pages, 25 cm., 3/10]
LOPEZ, MARTINA A. [1962- ]
Memory/Reference: The Digital Photography of Martina Lopez. Chicago: Art Institute of Chicago, 1995. [Exhibition flyer-catalogue; paperback, 6 pages, 28 cm., 2/15]
Martina Lopez: Digital Allegory. Syracuse, New York: Robert B. Menschel Photography Gallery, 1999. [Exhibition catalogue; paperback, 32 pages, 25.5 cm., 0/20; issued as Contact Sheet 100]
LOVAS, KATHY
Reframing the Past: Recent Work from Texas Women Photographers. Houston, TX: Houston Center for Photography, [c.1993]. [Includes Kathy Lovas; exhibition catalogue; first edition; paperback, 36 pages, 20 cm., 9/20; filed under collections]
LOWIT, ROXANNE
Moments: Roxanne Lowit Photographs. New York and Paris: Vendome Press, 1993. [First American edition; harback, 172 pages, 33.5 cm., 25/35; oversize]
LUCE, CLARE BOOTHE [1903-1987]
Clare Booth Luce. The Women. New York: Random House, 1937. (A Play). [First edition; hardback, 216 pages, 21 cm., 25/45]
Wilfrid Sheed. Clare Booth Luce. New York: E. P. Dutton, 1982. [First edition; hardback, 184 pages, index, 24 cm., 5/25]
Women Come to the Front: Journalists, Photographers, and Broadcasters During World War II. Washington, D.C.: Library of Congress, 1995. [Includes Clare Boothe Luce; exhibition catalogue; first edition; paperback, 24 pages, biography and checklist, 21.5 cm., 0/15; filed under collections]
LUCIER, MARY [1944- ]
American Landscape Video: The Electric Grove. Pittsburgh, PA: The Carnegie Museum of Art, 1988. [Includes Mary Lucier; exhibition catalogue; first edition; paperback, 128 pages, chronology, 28 cm., 4/30; filed under collections]
LUI, ELIZABETH GILL
Elizabeth Gill Lui. Closed Mondays. Tucson: Nazraeli Press, 1999. [Exhibition catalogue; first edition; hardback, 136 pages, 31 cm., 50/65; oversize]
LUKAC, JENNI [1953- ]
Jenni Lukac. Kaddish. Rochester, NY: Visual Studies Workshop, 1995. [First edition; paperback, 64 pages, 19 cm., 16/25]
Ethereal Images: New Media Installations. Daytona Beach, FL: Southeast Museum of Photography, Daytona Beach Community College, 1996. [Includes Jenni Lukac; exhibition catalogue, first edition; paperback w/post binding, 28 pages, 12/20; filed under collections]
LUSKACOVA, MARKETA [1944- ]
"Marketa Luskacova," Camera [Switzerland], vol. 53, no. 7 July 1974), pp. 14-23. [achive box]
LUSTER, DEBORAH
Tangle of Complexes: Photographing in Mexico. Birmingham, Alabama: Space One Eleven, 1996. [Includes Deborah Luster; exhibition catalogue; text in English and Spanish; first edition; paperback, 24 pages, 28 cm., 0/20]
LYMAN, JULIE ANN
As the Twig is Bent. Indianapolis, Kansas City & New York: Bobbs-Merrill Company, 1965. [First edition; text by Diane David and photographs by Julie Ann Lyman; preface by Robert Cromie; hardback, 118 pages, 25.5 cm., 5/30]
LYNN, MARY EMMA [1813- ]
A Vision Exchanged: Amateurs & Photography in Mid-Victorian England. London: Victoria & Albert Museum, 1985. [Includes Mary Emma Lynn; exhibition catalogue; first edition; text by Carolyn Bloore and Grace Seiberling; paperback, 48 pages, biography, 24.5 cm., 8/25; filed under collections]
LYONS, JOAN [1937- ]
Into the 70's: Photographic Images by Sixteen Artists/Photographers. Akron, OH: Akron Art Institute, 1970. [Includes Joan Lyons; exhibition catalogue; edited by Tom Muir Wilson; foreword by Robert Doty; first edition; paperback, 80 pages, biographies, 20 cm., 10/40; filed under collections]
On the Offset Press. [New York]: Light Work/Gallery, Association of New York State, 1977. [Includes Joan Lyons; exhibition catalogue; first edition; paperfolder, 10 pages, 28 cm., 8/20]
Joan Lyons. My Mother's Book. Rochester, N.Y: Visual Studies Workshop, 1993. [First edition; paperback, 48 pages, 20 cm., 10/20]
MACADAMS, CYNTHIA [1939- ]
Cynthia MacAdams. Emergence. New York and London: Chelsea House, 1977. [First edition; introduction by Kate Millett; autographed by the photographer; hardback, 120 pages, 27 cm., 15/75]
Cynthia MacAdams. Rising Goddess. New York: Morgan & Morgan, 1983. [First edition; preface by Kate Millett and introduction by Margaretta K. Mitchell; edited by Jennifer Morgan; paperback, 118 pages, 26.5 cm., 10/25]
Cynthia MacAdams. Mayan Vision Quest: Mystical Initiation in Mesoamerica. San Francisco: HarperSanFrancisco, 1991. [First edition; text by Hunbatz Men and Charles Bensinger; paperback, 118 pages, 21.5 cm., 11/30]
MAAR, DORA [1907-1997]
Dora Maar: Fotografa. [Spain?]: Bancaja Obra Social, 1995. [Exhibition catalogue; text in Spanish with English translation; paperback, 208 pages, 28 cm., 45/65]
MACDONALD, PATRICIA
Patricia Macdonald. Scotland/Shadow of Heaven. New York: Rizzoli, 1989. [First edition; hardback, 120 pages, 30 cm., 18/35]
MACGREGOR, FRANCES COOKE
Frances Cooke MacGregor. Twentieth Century Indians. New York: G. P. Putnam's Sons, 1941. [First edition; foreword by Clark Wissler; hardback, 237 pages, 28 cm., 45/95]
MACHOTKA, HANA
Hana Machotka. The Magic Ring: A Year with the Big Apple Circus. New York: William Morrow & Co., 1988. [Text and photographs by the author; hardback, 72 pages, 25.5 cm., 16/30]
Hana Machotka. What Neat Feet! New York, Toronto, London, Auckland, Sydney: Scholastic, Inc., 1992. [Paperback, 32 pages, 22.5 cm., 2/5]
MACINTOSH, FIONA
Adriana Angel and Fiona Macintosh. The Tiger's Milk: Women of Nicaragua. New York: Seaver Books, 1987. [First American edition; introduction by Hermione Harris; photographs by both authors; hardback, 144 pages, 22 cm., 7/25; filed under Adriana Angel]
MACKINLAY, HELEN
Helen Mackinlay: Fifty-Five Photographs. Singapore: Bellbird Press, 1991. [First edition; hardback, 72 pages, 27 cm., 25/35]
MACNEIL, WENDY SNYDER [1943- ]
Wendy Snyder. Haymarket. Cambridge, MA: The MIT Press, 1970. [First edition; paperback, 108 pages, 20 cm., 6/40]
The Snap-Shot. New York: Aperture Foundation, Inc., 1974. [Includes Wendy Snyder MacNeil; first edition; edited and with an introduction by Jonathan Green; hardback, 128 pages, 27 cm., 20/25; filed with collections]
Seven Photographers: The Deleware Valley. Peters Valley, DE: Peters Valley Craft Center, 1979. [Includes Wendy MacNeil; exhibition catalogue; paperback, 36 pages, biographies, 25 cm., 3/25]
Kathleen McCarthy Gauss. New American Photography. Los Angeles: Los Angeles County Museum of Art, 1985. [Includes Wendy MacNeil; exhibition catalogue; first edition; hardback; 128 pages, biography and checklist, 23 cm., 35/65; filed under collections]
W. Snyder MacNeil: Daughter/Father. Boston: Photographic Resource Center, 1988. [First edition; paperback, 32 pages, 26 cm., 15/35]
MADIGAN, MARTHA [1950- ]
The Invented Landscape. New York: The New Museum, 1979. [Includes Martha Madigan; exhibition catalogue; first edition; paperback, 40 pages, biographies, 10/30; filed under collections]
Photography: Made in Philadelphia 5. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1980. [Includes Martha Madigan; exhibition catalogue; first edition; paperback, 32 pages, biography, 20 cm., 3/20; filed under collections]
MAESTRO, LANI [1957- ]
Witness. North Vancouver, British Columbia: Presentation House Gallery, 1994. [Includes Lani Maestro; exhibition catalogue; first edition; paperback, 32 pages, 24 cm., biographies, 10/25; filed under collections]
MAHAFFY, ELLEN
Ellen Mahaffy. Nothing Was Ever Said. Rochester, New York: Visual Studies Workshop Press, 1993. [First edition; hardback, 116 pages, 25 cm., 20/35]
MAHLER, SUZANNE
Judith Glashow, Doris Goldstein, and Suzanne Mahler. Shoot the Works: How to Take Photographs That Protect Your Possessions. New York: Ziff-Davis Publishing Company, 1980. [Book Club Edition; hardback, 84 pages, index, 28.5 cm., 5/15; filed under Judith Glashow]
MAHR, MARI [1941- ]
Mari Mahr. A Few Days in Geneva: Photographs by Mari Mahr. London: Traveling Light, 1988. [First edition; foreword by Nigel Finch; hardback, 72 pages, 24 cm., 15/40]
Mari Mahr; My Daughter, My Darling. [Spain]: Ediciones Universidad de Salamanca, 1996. [Exhibition catalogue; text in English, Spanish and Hungarian; hardback, 32 pages, 19.5 cm., 25/35]
MANCHOT, MELANIE
Melanie Manshot. Look at You Loving Me: Bilder Meiner Mutter von 1995-1998. Basel: Friedrich Reinhardt Verlag/ Galerie Hans-Jurgen Siegert, 1998. [Exhibition catalogue; text by Katja Blomberg and Val Williams; hardback, 72 pages, 26.5 cm., 25/35]
MANDELBAUM, ANN [1945- ]
Weiermair, Peter, (ed.). Ann Mandelbaum. Frankfurt: Edition Stemmle, 1994. [First edition; hardback, 112 pages, 28 cm., 18/40]
MANN, MARGERY [1919-1977]
Women of Photography: An Historical Survey. San Francisco: San Francisco Museum of Modern Art, 1975. [Exhibition catalogue; first edition; edited by Margery Mann; paperback, 102 pages, 30 cm., 0/40; filed under collections]
California Pictorialism. San Francisco: San Francisco Museum of Art, 1977. [Exhibition catalogue; first edition; edited by Margery Mann; paperback, 80 pages, 30 cm., 6/35; filed under collections]
Sacramento Valley Landscapes. Davis, CA: Richard L. Nelson Gallery, University of California, Davis, 1979. [Exhibition catalogue; includes Margery Mann; paperback, 64 pages, 21.5 cm., biographies, 10/40; filed under California catalogues]
MANN, SALLY [1951- ]
Sally Mann: The Lewis Law Portfolio. Washington, DC: The Corcoran Gallery of Art, 1977. [Exhibition catalogue; first edition; essay by Jane Livingston; paperback, 16 pages, 20 cm., 10/25]
Sweet Silent Thought: Platinum Prints by Sally Mann. Durham, NC: North Carolina Center for Creative Photography, 1978. [Exhibition catalogue; first edition; paperback, 16 pages, 20 cm., 25/35]
Second Sight: The Photographs of Sally Mann. Boston: David R. Godine, 1983. [First edition; introduction by Jane Livingston; stiff wraps, 60 pages, 30 cm., 65/85; oversize]
Sally Mann: Still Time. Clifton Forge, Virginia: Alleghany Highlands Arts and Crafts Center, Inc., 1988. [First edition; paperback, 32 pages, 20 cm., 10/25]
Sally Mann. At Twelve: Portraits of Young Women. New York: Aperture, 1988. [Introduction by Ann Beattie; paperback, 56 pages, 27.5 cm., 20/25]
Steven Carothers and Gail Roberts. Photographer's Dialogue. Boca Raton, Florida: SIRS and Boca Raton Museum of Art, 1989. [Includes Sally Mann; first edition; paperback, 144 pages, biographies, 27 cm., 13/35; filed under collections]
Sally Mann. Immediate Family. New York: Aperture Foundation, 1992. [Paperback, afterword by Reynolds Price, 92 pages, 24 cm., 18/20; oversize]
Family Matters: An Exhibition of Works by Sally Mann, Vince Leo, Melissa Shook and Philip-Lorca diCorcia. Tempe, AZ: Northlight Gallery, Arizona State University, 1993. [Exhibition catalogue; essays by Trudy Wilner Stack and William Tolan; first edition; paperback, 24 pages, 28 cm., 10/25; filed under collections]
Hospice: A Photographic Inquiry. Boston, New York, Toronto, London: Little, Brown and Company, 1996. [Includes Sally Mann; first edition; paperback, 170 pages, biographies, 28.5 cm., 14/25; filed under collections]
MANUAL [cf. Suzanne Bloom]
MARCUSE, TANYA [1964- ]
Tanya Marcuse: Photographs. New York: Yoshii Gallery, 1994. [Exhibition catalogue published in 500 copies; first edition; paperback, 12 pages, 25.5 cm., 0/35]
MARAT, DOLORES
Dolores Marat. Eclipse. Paris: Contrejour, 1990. [First edition; text in French; paperback, 44 pages, 21 cm., 17/30]
MARIANA, ANA HELENA [1935- ]
Erika Billeter. Fotografie Lateinamerika: Von 1860 Bis Heute. Bern, Switzerland: Benteli Verlag, 1981. [Exhibition catalogue; includes Ana Helena Mariana; first edition; text in German; hardback, 416 pages, biographies, 22 cm., 65/100; filed under Latin America]
MARICEVIC, VIVIENNE
Vicki Goldberg. "La Cage Aux Folles" Male to Female: Photographs by Vivienne Maricevic. Zurich, Switzerland: Edition Stemmle Ag, 1995. [First edition; hardback, 128 pages, 28 cm., 40/75; oversize]
MARK, MARY ELLEN [1940- ]
Mary Ellen Mark. Passport. New York: Lustrum Press, Inc., 1974. [First edition; paperback, 56 pages, 30 cm., 35/50; oversize]
Karen Malpede. Three Works by the Open Theater. New York: Drama Book Specialists, 1974. [Includes photographs by Mary Ellen Mark; hardback, 192 pages, 25 cm., 35/45]
American Images: New Work by Twenty Contemporary Photographers. New York, et al: McGraw-Hill Book Company, 1979. [Includes Mary Ellen Mark; First edition; edited by Renato Danese; hardback, 216 pages, biography, 28 cm., 13/50; filed under collections]
Mary Ellen Mark. Photographs of Mother Teresa's Mission of Charity in Calcutta. Carmel: The Friends of Phtography, 1985. [Untitled #39; first edition; paperback, 48 pages, 26 cm., 15/25]
Adam D. Weinberg. On the Line: The New Color Photojournalism. Minneapolis, MN: Walker Art Center, 1986. [Exhibition catalogue; includes Mary Ellen Mark; paperback, 80 pages, biographies and checklist, 24.5 cm., 5/25]
Mary Ellen Mark: America. Norman, Oklahoma: Museum of Art, University of Oklahoma, 1987. [Exhibition catalogue; first edition; paperback, 20 pages, autobiography, chronology and bibliography, 22.5 cm., 5/25]
Steven Carothers and Gail Roberts. Photographer's Dialogue. Boca Raton, Florida: SIRS and Boca Raton Museum of Art, 1989. [Includes Mary Ellen Mark; First edition; paperback, 144 pages, biographies, 27 cm., 13/35; filed under collections]
The Photo Essay: Photographs by Mary Ellen Mark. Washington and London: Smithsonian Institution Press, 1990. [Photographers at work series; first edition; paperback, 64 pages, 25 cm., 15/25]
Marianne Fulton. Mary Ellen Mark: 25 Years. Boston, Toronto and London: Little, Brown & Company, in association with the International Museum of Photography at the George Eastman House, 1991. [Exhibition catalogue; first edition; hardback, 192 pages, 28.5 cm., 27/65]
Mary Ellen Mark. "Spring Break at Daytona Beach," Granta, vol. 39 (Spring 1992), pp. 103-123.
Mary Ellen Mark: Indian Circus. San Francisco: Chronicle Books, 1993. [First American edition; hardback, 108 pages, bibliography, 28 cm., 20/40]
A Cry for Help/ Stories of Homelessness and Hope: Photographs by Mary Ellen Mark. New York, et al: Simon & Schuster, 1996. [First edition; paperback, 102 pages, 24 cm., 15/20]
Mary Ellen Mark/Portraits. Washington, D.C.: Smithsonian Institution Press, 1997. [Foreward by Mary Panzer; originally published in Italian in 1995 by Federico Motta Editore of Milan; hardback, 48 pages, 23.0 cm., 25/25]
MARKETOU, JENNY [1951- ]
Ethereal Images: New Media Installations. Daytona Beach, FL: Southeast Museum of Photography, Daytona Beach Community College, 1996. [Includes Jenny Marketou; exhibition catalogue; first edition; paperback w/post binding, 28 pages, 12/20; filed under collections]
MARKOE, FRANCINE
Journal of a Pregnancy. Los Altos Hills, CA: Treehouse Publishers, 1977. [First edition; text by Angie Boissevain; photographs by and autographed by Francine Markoe; paperback, 12 pages, 21 cm., 2/15]
MARKUS-GANSSER, URSULA
Blanche Christine Olschak. The Dragon Kingdom: Images of Bhutan. Boston, Halifax & Shaftesbury: Shambhala, 1988. Photographs by Ursula Markus-Gansser; first edition; hardback, 104 pages, 21 cm., 25/45]
MARLIN, DEBRA
Debra Marlin. Yellowdog. Boston, etal: A Bullfinch Press Book/ Little, Brown and Company, 1997. [First edition; hardback, 96 pages, 26 cm., 20/35]
MARSHALL, BETTE [1939- ]
Chess for Children Step by Step: A New, Easy Way to Learn the Game. Boston and Toronto: Little, Brown and Co., 1977. [First edition; photographs by Bette Marshall; paperback, 108 pages, 21.5 cm., 6/15]
MARSHALL, LUCILE ROBERTSON
Lucile Robertson Marshall. Photo-Oil Coloring for Fun or Profit. New York: The Larum Publishing Company, 1944. [2 copies; 1) first edition; hardback, 136 pages, index, 21 cm., 3/35; and 2) sixth printing (1947); hardback, 142 pages, index, 21 cm., 3/20]
Lucile Robertson Marshall. Photography for Teen-agers. New York: Prentice-Hall, 1951. [Fourth printing (1952); hardback, 166 pages, index, 21 cm., 2/15]
MARSHALL, NANCY [1946- ]
Tangle of Complexes: Photographing in Mexico. Birmingham, Alabama: Space One Eleven, 1996. [Includes Nancy Marshall; exhibition catalogue; text in English and Spanish; first edition; paperback, 24 pages, 28 cm., 0/20]
MARSHALL-LINNEMEIER, LYNN [1954- ]
Deborah Willis. Imagining Families; Images and Voices. Washington, D.C.: Smithsonian Institutions, 1994. [Includes Lynn Marshall-Linnemeier; exhibition catalogue; first edition; paperback, 72 pages, 21.5 cm., 10/25; filed under collections]
MARTIN, JACKIE [1903-1969]
Amy S. Doherty, (ed.). Jackie Martin: The Washington Years. New York: Syracuse University, 1986. [Exhibition catalogue; F\first edition; paperback in 2000 copies, 24 pages, chronology, 28 cm., 0/15]
MARTIN, JUDY [1950- ]
Judy Martin and Annie Colbeck. Handtinting Photographs. London and Sydney: Amanuensis Books, 1989. [First edition; photographs by Judy Martin and text by Annie Colbeck; hardback, 160 pages, index, 28 cm., 35/40]
MARTIN, MARCELINA
Lesbian Sacred Sexuality. Oakland, CA: Wingbow Press, 1995. [First edition; text by Diane Mariechild; photographs by Marcelina Martin; paperback, 144 pages, 21.5 cm., 25/25]
MARTINEZ-CANAS, MARIA [1960- ]
Maria Martinez-Canas: Encounters. Tucson, AZ: Center for Creative Photography, 1991. [Exhibition catalogue; first edition; paperback, 6 pages, biography, 24 cm., 0/15]
Photography by Cintas Fellows. Miami, FL: Art Museum at Florida International University, 1993. [Includes Maria Martinez-Canas; exhibition catalogue; first edition; paperback, 30 pages, biographies, 30 cm., 8/35; filed under collections]
Black Totems: Photographs by Maria Martinez-Canas. Daytona Beach, Florida: Southeast Museum of Photography, 1995. [Exhibition catalogue; first edition; paperback, 48 pages, 21.5 cm., 11/15]
MARTZ, BARBARA [1957-1985]
Photographs by Barbara Martz. Harpswell, Maine: published by Elsa Martz, February 1987. [First edition; paperback, 80 pages, 21.5 cm., 20/50]
MASAYESVA, GEORGIA
Hopi Photographers/ Hopi Images. Tucson: Sun Tracks & University of Arizona Press, 1993. [Sun Tracks #8; exhibition catalogue; includes Georgia Masayesva; first edition; paperback, 112 pages, 21. 5 cm., 15/30]
MATHAN, GERDA STRAUS
Gerda Straus Mathan with Valentina Zavarin. Valentina's Uncle: Portrait of an Old Man. New York and London: Macmillan, 1981. [First edition; paperback, 176 pages, 25 cm., 5/25]
MATHER, HELEN
Helen Mather. Clothesline U.S.A. Garden City: Doubleday & Company, Inc., 1969. [First edition; hardback, 90 pages, 19 cm., 3/15]
MATHER, JENNI [1946- ]
Barbara Hall and Jenni Mather. Australian Women Photographers 1840-1960. Victoria, Australia: Greenhouse Publications, Ltd., 1986. [First edition; hardback; 164 pages, biographies and index, 29 cm., 45/75; filed under collections]
MATHER, MARGRETHE [1885-1952]
Margrethe Mather. Tucson, Arizona: Center for Creative Photography, University of Arizona, 1979. [Center for Creative Photography #11; signed by William Justema; paperback, 60 pages, 28 cm., 25/50]
MATSON, MANDY
Mandy Matson. Using Your Camcorder: Techniques for Creating Better Home Movies. New York: Amphoto, 1989. [Paperback, 144 pages, index, 28 cm., 5/10]
MATSUMOTO, MICHIKO
Michiko Matsumoto. Portraits of New York Women. [Tokyo?]: Tohjusha, 1983. [First edition; paperback, 112 page, index, 29.5 cm., 15/45]
MATTHEWS, KATE [1870-1956]
Kate Matthews and the Little Colonel. Louisville, Kentucky: Lost Cause Press, 1963. [First edition; text by Margaret M. Bridwell; Season's Greetings note from the publisher attached; paperback, 16 pages, 25 cm., 90/100; archive box]
MATTHIESSEN, MARIA VON
Maria Von Matthiessen. Songs From the Hills: An Intimate Look at Country Music. New York, et al: Macmillan, 1993. [First edition; hardback, 134 pages, index, 26 cm., 12/35]
MAXIM, NETTIE CUMMINGS [1876-1910]
Barnes, Diane and Jack. Images of America: Maine Life at the Turn of the Century Through the Photographs of Nettie Cummings Maxim. Dover, New Hampshire: Arcadia Publishing, 1995. [paperback, 128 pages, 23.5 cm., 9/20]
MAYER, BRIGITTE MARIA
Brigitte Maria Mayer. Perfect Sister. Berlin?: Verlag Claudia Gehrke, 1991. [First edition; signed by the photographer; hardback, 120 pages, 24 cm., 60/85]
MAYNARD, HANNAH [1834-1918]
Claire Weissman Wilks. The Magic Box: The Eccentric Genius of Hannah Maynard. Toronto: Exile Editions, Ltd., 1980. [First edition; hardback, 152 pages, 30 cm., 15/65]
MAYNARD, VALERIE
"Valerie Maynard," Contact Sheet 93 (1997), pp. 12-17. [Filed with Contact Sheet periodicals]
McADAMS, DONA LEE